5 questions with Jonathan Dove: composer of Mansfield Park
07 Mar 2025
Jonathan Dove is the acclaimed composer behind our charming production of Mansfield Park, a chamber opera adapted from Jane Austen’s beloved novel. We asked him five questions ahead of our remaining performances.
1. What is it about this novel, as opposed to Jane Austen’s other works, that you find translates so well into opera?
The heroine, Fanny Price, is so reticent — completely unlike Emma, or Elizabeth Bennett — we find out what she is feeling by implication. Opera can eavesdrop on a character’s feelings, even when they say very little.
2. You famously said that you “heard music” when you read Mansfield Park – what did it sound like?
The music I heard, all those years ago when I first read the book, was nothing like the music I eventually wrote. But it was inspired by the same scenes. I particularly remember feeling music when Fanny is left alone in the wilderness while the other young people explore, and when Edmund leaves her alone at the window looking out at the stars.
3. If you could write another opera based on a Jane Austen novel, which would you choose?
My favourite Austen novel is probably Emma, but I find it completely satisfying without adding any music.
4. What makes Mansfield Park relevant to contemporary audiences?
This is a good time to keep your own counsel and hold on to your values, even when there is foolishness and immorality around you!
5. What message would you like to give the artists ahead of Victorian Opera’s performances?
I have seen performances of Mansfield Park with audiences laughing and wiping away tears. Enjoy telling this story!
Mansfield Park will be performed by Victorian Opera in 2025 with four hands on a grand piano in historic houses including Horti Hall, and Montsalvat. Alternatively, join us for a performance with a chamber orchestra at the iconic Her Majesty’s Theatre Ballarat.
Read more: A Jane Austen expert explains why Mansfield Park is perfect for opera